Credits
Organizer：Japan Philharmonic Orchestra
Director：Yoichi Ochiai
Conductor：Hikaru Ebihara
Light：Kazuhiro Naruse
Creative Director : Kosuke Oho
Director : Tatsuki Kondo
Technical Director : Shunsaku Ishinabe
Programmer : Yuta Nakano, Keita Abe
Visual Designer : Hironobu Sone, Takafumi Matsunaga, Tomoko Ishii
PR : Michiru Sasaki
Producer : Go Hagiwara
Camera Crew : Imura Office
Equipment Cooperation : Prism, Astro Design
Support : Emohaus Inc.
Director：Yoichi Ochiai
Conductor：Hikaru Ebihara
Light：Kazuhiro Naruse
Creative Director : Kosuke Oho
Director : Tatsuki Kondo
Technical Director : Shunsaku Ishinabe
Programmer : Yuta Nakano, Keita Abe
Visual Designer : Hironobu Sone, Takafumi Matsunaga, Tomoko Ishii
PR : Michiru Sasaki
Producer : Go Hagiwara
Camera Crew : Imura Office
Equipment Cooperation : Prism, Astro Design
Support : Emohaus Inc.
Un-Synchronized Orchestra
Japan Philharmonic Orchestra | 2020
The "Yoichi Ochiai x Japan Philharmonic Project" started in 2018 with the theme of 'rebuilding an orchestra with technology.' WOW also participated in the '＿＿＿＿ Orchestra,' in other words, the 'Un-Synchronized Orchestra' as a 'video instrumentalist' this year.
In contrast to the past two years of trying to make a place where you can experience a new attraction and value of the orchestra, this year, we were searching for ways the orchestra should be during the coronavirus. In addition to theater performances that had audiences in attendance with restrictions being set, online broadcasting was also done, with the aim of allowing you to be able to experience new attractions from two perspectives.
In theater performances, innovative music that has opened up an era in history and video images were projected on the screen. With online broadcasting, it gave you the actual feeling of being at a concert by using the industry's highest level of sound quality (AAC-LC384kbps) and 2K image quality that includes AR video. We tried to arrange a three-dimensional effect that could only be achieved digitally.
The visual experience of this performance is centered on the AR video of the online broadcast, and images are spread across the theater screen that synchronized, responded, and conflicted with the AR video. Each differed in their own way but were not superior or inferior in the value of the experience we provided. In addition, we aimed for a multiplier effect whereby the performances could be enjoyed from differing perspectives by having the viewers of the theater performances enjoying the online performances that were re-broadcast at a later date. We tried to get you to discover new value in each, by aiming for visual effects that bring you closer to a view of the music world from two differing perspectives.
The concert that was originally planned with the title '＿＿＿＿ Orchestra' that was used up until the performance ended up being canceled due to the coronavirus, and so from there, we searched for a new concert, and in a state of trial and error, each viewer was trying to think long and hard about the words to put into the blank of the title. Just before the end of the performance, the word '＿＿＿＿ ' was revealed, and a new music concert was born that sought out the way a music concert should be done during coronavirus, known as 'Un-Synchronized Orchestra.'
▶WOW magazine Vol. 170 Reconstructing the orchestra using technology: “＿＿＿＿ Orchestra”
▶WOW magazine Vol. 172 Reconstructing the orchestra using technology: “UN-SYNCHRONIZED ORCHESTRA”
In contrast to the past two years of trying to make a place where you can experience a new attraction and value of the orchestra, this year, we were searching for ways the orchestra should be during the coronavirus. In addition to theater performances that had audiences in attendance with restrictions being set, online broadcasting was also done, with the aim of allowing you to be able to experience new attractions from two perspectives.
In theater performances, innovative music that has opened up an era in history and video images were projected on the screen. With online broadcasting, it gave you the actual feeling of being at a concert by using the industry's highest level of sound quality (AAC-LC384kbps) and 2K image quality that includes AR video. We tried to arrange a three-dimensional effect that could only be achieved digitally.
The visual experience of this performance is centered on the AR video of the online broadcast, and images are spread across the theater screen that synchronized, responded, and conflicted with the AR video. Each differed in their own way but were not superior or inferior in the value of the experience we provided. In addition, we aimed for a multiplier effect whereby the performances could be enjoyed from differing perspectives by having the viewers of the theater performances enjoying the online performances that were re-broadcast at a later date. We tried to get you to discover new value in each, by aiming for visual effects that bring you closer to a view of the music world from two differing perspectives.
The concert that was originally planned with the title '＿＿＿＿ Orchestra' that was used up until the performance ended up being canceled due to the coronavirus, and so from there, we searched for a new concert, and in a state of trial and error, each viewer was trying to think long and hard about the words to put into the blank of the title. Just before the end of the performance, the word '＿＿＿＿ ' was revealed, and a new music concert was born that sought out the way a music concert should be done during coronavirus, known as 'Un-Synchronized Orchestra.'
▶WOW magazine Vol. 170 Reconstructing the orchestra using technology: “＿＿＿＿ Orchestra”
▶WOW magazine Vol. 172 Reconstructing the orchestra using technology: “UN-SYNCHRONIZED ORCHESTRA”
Credits
Organizer：Japan Philharmonic Orchestra
Director：Yoichi Ochiai
Conductor：Hikaru Ebihara
Light：Kazuhiro Naruse
Creative Director : Kosuke Oho
Director : Tatsuki Kondo
Technical Director : Shunsaku Ishinabe
Programmer : Yuta Nakano, Keita Abe
Visual Designer : Hironobu Sone, Takafumi Matsunaga, Tomoko Ishii
PR : Michiru Sasaki
Producer : Go Hagiwara
Camera Crew : Imura Office
Equipment Cooperation : Prism, Astro Design
Support : Emohaus Inc.
Director：Yoichi Ochiai
Conductor：Hikaru Ebihara
Light：Kazuhiro Naruse
Creative Director : Kosuke Oho
Director : Tatsuki Kondo
Technical Director : Shunsaku Ishinabe
Programmer : Yuta Nakano, Keita Abe
Visual Designer : Hironobu Sone, Takafumi Matsunaga, Tomoko Ishii
PR : Michiru Sasaki
Producer : Go Hagiwara
Camera Crew : Imura Office
Equipment Cooperation : Prism, Astro Design
Support : Emohaus Inc.
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